Collapse: Eric C. Nixon

01. Writer

Eric C. Nixon


02. Theme

Collapse


03. MUSIC INSPIRATION

Andromida:
Dissimulation


04. WRITING

Collapse

Devastating crumbling of the economy
Feeling the trembling side effects of a democracy
Multiple ruptures of one moment rumbling,
Sending shockwaves through the web of a
global interdependent society; structure
fraying and breaking down 

Elon’s monopoly,
power to the people,
we know it’s part of our cultural victory
like a pre-programmed atrocity

We misinterpreted spilling these raps as tapping till’ we fill till’ we cap
We don’t understand tilling these lands means filling these bags of sand to fill these gaps

Wet your pants
Other civilizations have came and went through scarcity

collapse of the synapse
starved for stimulation like the GDP
decreased in gratitude

If you feel different, that’s okay
Look around

What we’ve accepted as a norm is slowly destroying the planet
What we’ve accepted as a norm is quickly destroying the planet

Automobiles

We don’t shovel the snow, we just drive over it till we get stuck
then we’re fucked

Cities in a nuclear haze,
Unstoppable deathwave
Would you be prepared for a blink of extreme inconceivable heat as a way to leave?
Razed to the pavement

Too late to wake

The escalation made me realize we’ve always been this close
With enough time it will happen

Nobody knows what they’re doing 
And the only thing that you believe is we exist

Found: C.P. Wyszynski

01. Writer

C.P. Wyszynski


02. Theme

Found


03. MUSIC INSPIRATION

Rand Aldo:
Tell Me And I’ll Forget


04. WRITING

The Universally Lost and Sometimes Found

“Welcome, Malcolm Henley, I am Random Generator, but you may call me R-A-N for short. Welcome to the Universally Lost and Sometimes–” A  strange voice said from the shadows.

“Where am I? What the hell is going on?” Malcolm Henley asked, in a commanding tone.

Execute Ice Breaker Joke 17A-3. Error 1-H7J. Ice Breaker Joke 17A-3 not found. Oh, how embarrassing. Execute Witty Retort 7X-J135! Executing: 'If I had a quarter every time I heard that, I'd be rich!' No? How about a tour then! Your type usually get something out of the tour.”

Last week, Malcolm celebrated another birthday he barely remembers. I guess I am lucky to be alive. Still alive at thirty-five “My type?” He said, in a glossy haze, perplexed at the bustling fortress enclosing him. His feet circled all the way around, stopping at an eight foot robot, the mysterious voice had emerged from the shadows. 

  “Alive. Human. Let the tour begin,” Ran began the tour among brass pipes, pumps, off shoots, and monitor, “And this is what I call the ground level or central welcoming.” 

The second level operated on rotating circular disks connected to levers and a modal-design-interlocking-cube array. 

Ran clinked his head upward, as if calling to the endless inky black sky. “Above the array, multilateral walkways, little devils go every which way, including straight up...nowhere. 

Below, we have every color of the rainbow.” They extend their arm-shaft.

The multimedia of colors rose from furnace slits in the circular encasement, like bubbles escaping the briny deep.

“Quite a site. I take great pride in the Universally Lost and Sometimes–” 

A small squat sized robot with two mismatched arms and a bowling ball shaped head glides across with several gold watches, darting right in front, seconds from crashing into them.

“Good evening Helper Unit-Sigma, still got that arm broken, I see,” The larger tour guide laughs with no emotion, “I know all of the staff, or I should. I am the Overseer of the Universally Lost. Anything and everyone.” Ran's eyes shutter.

  “Anyone?” Malcolm watches as the helper unit fades away, back into the hustle and bustle of the Universally Lost. He runs to get back to the Overseer.

“A-Ha! There's a spark. This way.” Ran adds a lite spring to his clomp as they enter another area. “The lost socks from the dryer, coins from couches, magazine coupons, diary entries, song noodles, electronics, everything that is, was, or could have been.” Ran clutches his chest.

A small piano starts to play, whisker-quiet, leagues away from the tour in progress. 

“Ah, Excellent timing! Look up and you will see my favorite lost item, phone numbers exchanged at establishments with the right to sell Alcohol.”

  Malcolm stares up, “Nowhere.” He was unsure how he had arrived, but he felt a strange comfort with Ran. More help than the doctors…he thought.

Seconds later, thousands of small paper snowflakes come down from the black emptiness. Some flutter as others, the crumpled into a ball, fall down faster. 

Malcolm reaches for one as they all then burn. Poof! A puff of smoke is all that remains.

“Funny, the need you crave to socialize, share a tender moment, feel human, all reduced to numbers on a crumpled napkin.”

Towering from plumages of smoke–A massive blast furnace door with a circular glass window blocks their way forward. 

“Never go in there. This is the writers' struggles. Ideas are incarcerated, they can live and die, and live again. You see, the problem with a writer, they overthink,” Ran buffs the window, “They come up with an idea, jot it down in a flurry, and before you know it–into the universal waste basket it goes.” Ran spats as a gloomy fog overtakes the blast chamber view from the other side. “Does the writer stop there, make things easier for me? Absolutely the opposite! They curl over backwards trying to remember the idea they came up with, days! Even months later... and the more they think, the more the idea metastasizes into something otherworldly and dangerous. See for yourself,” another buff of the glass, “In the corner, right there!” 

A small bunny hops closer to the door.

Malcolm's eyes go wide as he sees the bunny dissolve into a sea of puss. 

Resurging fog bubbles from the pulsating rabbit's corpse. 

This time, Malcolm rubs the window only to see the bunny alive and then repeat its vile end. 

“I think it was from a poem, something about nuclear pollution...that never got finished. Oh, and look there!” Ran points above the horizon to two dragons drag racing. “Failed alliteration. Shame, really. Some beautiful worlds in there. Maybe next time, your kind will know the value of saving your work.”

“Are these real?” I need to get out of here. Few things were worse than what Malcolm witnessed. He had his own horror stories: into and out of hospitals where doctors had no answers for why Malcolm was so ill. One day everything went black and when Malcolm opened his eyes, he was in a gown at the Urgent Care where he lived. A few days and a couple overnights and he was sent home with a clean bill of health, but that was only half true. Months later, another episode, another stay, and another clean bill–He was left to hop on his own, from one doctor to the next, hoping to be saved.

“Why, of course they are real, just like you.” Ran said as their eyes seemed to scan Malcolm, a familiar clinical gaze.

The silence between the two goes on as they continue their walk. Ran continues the tour.

Malcolm barely hears any of it. He was trapped, only this time he was not in Urgent Care. Am I dead? The thought left him cold and lonely. How many others had faced similar fates?

“And, here we arrive at the most troubling wing. Also the largest. The lost. The unheard. The missing. Your stop, my tired friend. They are all alike, the chronically ill...You scream so much into the void, advocating, often for your own chance to live another day. Eventually, I see it more and more, a lot of you end up here.” Ran opens the wing. 

The Lost are dressed for all occasions. While some are in hospital gowns, shuffling with IVs and dried out pick lines, crying out to a nurse that is no longer there, most are in fairly nice clothes. They do not appear upset or even disheveled.

“Can we ever be found?” Malcolm’s hand holds on to the door of the Lost Wing. 

“What kind of question is that? Of course you can be, did you not hear where you are? This is the Universally lost and sometimes–”

“New Human approaching the South Docking Bay,” the loud speaker blares all around.

The walls shake a few seconds after the Welcome Hub alert goes quiet. 

Another one, just like me. Like all of us. Malcolm’s head dips as he steps forward into his new home, draped in a chilling blue silhouette. 

“I must be going. I like to greet all the lost. It tends to soften the blow. Good luck and if you have any questions...” Ran's voice echoes as they have already left. 

A soft woman's voice pulls Malcolm from his residence of the Lost Wing, “Thank you so much for holding sorry about the wait, Mr. Henley. Umm, your appeal to your denial was found. Can you please state your birthday and mailing address to confirm your identity?” The financial claims delegate asks, from the other end of the call. 

Malcolm yawns as he separates a letter from the pile, “I also have my medical I.D. number.” He cracks his fingers and takes off a Blood Pressure Cuff from his left arm, tachycardic, and throws it to the couch.

A small semi-circle of light reflects off the T.V. from the corner of his room, and blinds Malcolm. 

It is 3:00 in the afternoon in his stale apartment. Everything is where he left it. An ambient mess. Clean clothes intermingle with the piles from weeks before. There are dozens of pill bottles and untouched packets of pseudo-health and homeopathic remedy. Next to two empty urinals are a pair of socks with a safety pin and note. 

The note reads, “I thought you might like these. Safe Journey Home. Below are three initials. R-A-N.”  


[Found in an unfinished novel that was burned in a factory fire]

Found: Kathryn Gillespie

01. Writer

Kathryn Gillespie


02. Theme

Found


03. MUSIC INSPIRATION

The Mountain Goats:
Family Happiness


04. WRITING

Stasis in Cycle

You are listening to dead people all the time.
I’m trimming my cuticles with exacto knives 
while louder ghosts play on our radio,
clutching hard won figments of me, 
though I always cycle back 
to fatal worst, dipping toes 
in acid again, screaming
I tried my best
to learn. 

We bury conflicts quick in unmarked graves, 
sleep uneasy in beds unmade with strife, 
rest our heads on mirrors painting 
our whispers just too soft to know
where this spiral starts 
and who it dredges 
down. 

I’ll crack my face with raging tears. 
You’ll find me a pinned butterfly
marked in inefficient
pattern, singing odes to
circling carrion 
birds.  


Found: Michelle Lukezic

01. Writer

Michelle Lukezic


02. Theme

Found


03. MUSIC INSPIRATION

Nine Inch Nails:
La Mer


04. WRITING

the storyboard (to you) may sound boring,
but to her, it is her story,
but to her, it is history,
the weeping boards cry out,
ignoring,
brought up on the dolly,
from dusted alley,
up the steps,
and down the stairwell,
those disagreeable summer mornings.

half cement, half wooden flooring.
both just as cold on her feet.

she was mourning,
when that wooden prick found it's way into her sole,
in the morning,
after a night of wishing please just go to sleep,
it was outside her control.

something changed.
the weeping boards no longer cry out.

no hiss,
no creak,
no talking back,
no one around.

the storyboard (to her) still made sound,
and to this day, it’s obnoxious and rages loud.

but do floorboards creak,
when you are on the ground,
when no one hears but you,
just waiting to be found?

Found: Brian Stout

01. Writer

Brian Stout


02. Theme

Found


03. MUSIC INSPIRATION

Jawbreaker:
Unlisted Track


04. WRITING

When I was in my twenties, I used to go places on my own because I was impatient with waiting for other people to be available. I didn’t want to miss a thing–not that band, not that one-week only engagement of that Sundance Audience Award Winner, not that fully-restored print.

Now I go places on my own because I’ve (theoretically) aged out of a lot of the things I still love and I’m unwilling to relinquish them. It is liberating to be at a show and give zero fucks about how I am perceived.

I wish someone would have told me when I was 17 that no one cares at all about what you are doing, who you are there with, which band shirt you have on, or how you choose to show your appreciation for the music, as long as you’re not hurting anyone around you.

These days, I’m even more invisible, and I genuinely don’t mind. It’s fun to be carefree at shows, and if anything, it gives me a tinge of sadness that I spent so much time feeling like I couldn’t just be myself.

In this mindset, I walked a few blocks from my hotel to the House of Blues. I first saw Jawbreaker a little over 25 years ago. The first time was the culmination of a few weeks of nonstop Dear You listening. From the moment I finished my first listen to 24 Hour Revenge Therapy, it quickly became canon, spoken about the way people talked about The Replacements’ Let it Be ten years before.

On a Saturday afternoon in September 1995, I went to my favorite record store, the one that sold CDs as soon as they arrived rather than waiting for official release dates, to pick up Dear You. It was what I expected in many ways. Major label debuts always had bigger production, more complicated songs. I had no idea this is what I wanted from Jawbreaker, but it turned out to be exactly what I wanted. The sample at the end of “Jet Black” made me run out to Blockbuster Video to grab a VHS of Annie Hall. That became an obsession, too.

That night, I found myself standing on the main floor near an old friend from back home, just like someone in one of Jawbreaker’s songs might be. I stood there shouting the words with quivering lips under my mask and tears in my eyes at times, overwhelmed by the experience of it all–the band I’ve loved for over 25 years playing the songs that comforted me, made me laugh, gave me space to sulk and wallow, but now make me glad I got past all that sadness of my teens and twenties.

What wrecked me was the passage of time–these songs hit even harder now that I have real-life to tie them to. Back in 1995, it was me connecting to some sort of preview of adulthood. I had very little real life happen to me yet. I had barely any kisses to my name, let alone the one million referenced in the centerpiece of Dear You

It would be easy for me to look back and pretend like those were imaginary dramas of me being too scared to talk to girls and devastated when I wasn’t and it didn’t work out. But I can’t dismiss those feelings, nor should I. I’ll need to remember that as my kids age, too, to take their lives and their feelings seriously. 

If anything, the songs resonate even more so now. When I was young and I spiraled over every date that didn’t go well, every unrequited crush, every “no” that followed an awkward me asking someone on a date, the authentic sadness of those songs was what I connected with. “It hasn’t been my day for a couple years. What’s a couple more?” is just vague enough to fit much of that period of my life, even if my adult self would say, “You have no idea what’s coming.”

Seeing someone I liked out with someone new made me listen to “Sluttering (May 4th)” on repeat. And then I’d follow that to “Jet Black” and it’s “If you don’t ask I won’t upset you.” I tried to convince myself I could be Jet Black to the center.

“Million” once filled me with longing for a first serious love, or something like love. Now, I feel weary from pursuing, trying, and failing, but still hoping something will stick. I stood there, awash in all these feelings coming from insights that seemed to just be happening to me in those moments. See the prize but you can’t have it.

I stood there tearfully singing along to “Basilica,” thinking of how I’d certainly felt as low as the friend in that song and I’d talked to friends who also felt that low, how we’d managed to keep each other going. The catharsis of the end of the song rang out, and I walked out into the night after a stop at the merch table. I still need this, now more than ever.

Found: George Lukezic

01. Writer

George Lukezic


02. Theme

Found


03. MUSIC INSPIRATION

(See writing)


04. WRITING

New Found Love
by Popcaan

Love Takes Time
by Orleans

This is my compilation of popular time related songs, in chronological order, that express my search for “New Found Love” from early Grade School to the final song that is to my true love for over the past forty years. 

Don’t Stop Believing
by Journey

Puppy Love
by Paul Anka

Theme From a Summer Place
by The Lettermen

Oh How Happy
by Shades of Blue

Incense & Peppermints
by Strawberry Alarm Clock

Just Dropped In (To See What Condition Your Condition Was In)
by Kenny Rogers and the First Edition

Can’t Get Enough
by Bad Company 

50 Ways to Leave Your Lover
by Paul Simon

Time in a Bottle
by Jim Croce

Work: Brian Stout

01. Writer

Brian Stout


02. Theme

Work


03. MUSIC INSPIRATION

Spanish Love Songs:
Losers 2


04. WRITING

Sun in my eyes, windows down. I was singing loudly the frivolous pop of Phoenix’s “1901,” which did its best to insulate me from reality that late Friday morning in May 2009.

“Falling, falling, falling.” 

How apros-pos. I had just been fired from a job for the first time in my 17 working years. Still, there was enough going on to make this feel somewhat insignificant. Mom was sick. We found out in January.

At the time, research showed that Friday is the best day to fire someone, and surely that was a consideration. I haven’t kept up with the research (or found out how it works over Zoom, fortunately), but I know people text my current company’s HR department to say “I quit,” so could “You’re fired” be delivered the same way?

For a moment, I felt free, relieved. It was a swirl of that, along with anger and determination to show those elitist fucks I’d do better than them. I got down to the corner before I remembered that stupid pedometer was still hooked on my belt. They wanted us to wear them and try to clock 10,000 steps per day, just like the CEO did, a Steve Jobs wannabe who wore the same fucking dad jeans and black turtleneck every day.

I passed a co-worker or two on my way back to my car. I avoided eye contact after the first one. I wasn’t sure what else to do, so I was on my way to see my parents. I had a passing thought about how I was pissed that I skipped the Yeah Yeah Yeahs show two days prior, instead staying up late trying to meet expectations I knew I’d never meet.

The month leading up to this was hard. A meeting notice sent by my supervisor with no subject, which I’ve come to fear ever since. A set of absurd “assignments” on top of my usual work that we’re supposed to “demonstrate my commitment to the company’s success,” as though I was going to sink this ship that had just been purchased by Johnson and Fucking Johnson. Jump through these fire rings without so much as a singed hair or you’re out.

I should have just quit at that meeting, but I felt like I’d been punched in the gut. I limped back to my desk feeling like I was dying inside. I’d never been told my work wasn’t worthy. My friendship, yes. My affection and attention, yes. But I could always count on success at work.

I had set aside other parts of my life to put all my chips on succeeding in work. I allowed school and jobs to devour my late twenties, with my eyes fixed upon a meteoric rise for myself that I was already late getting started. I put my energy where I knew I could succeed, and it had been going according to plan. 

But then all of a sudden, it wasn’t.  The bottom had fallen out of everything. And at that point, I couldn’t see what was to come–a year of losing my mom, moving home because I was out of money and still unemployed, seeing my once-perfect credit score slip, and looking to faith for answers that never came. My mom died while my life was still a massive question mark, and that haunts me to this day. I don’t believe in something more anymore. I told my kids the best you can hope for is that the good stories will outlive you by a generation, maybe two. 

The “showed them” moment never arrived. Interview after interview, fake smile after fake smile, dashed hope after dashed hope. After a year on unemployment with no career opportunities on the horizon, I wound up back in retail, doing the same job I once did to keep myself in a crummy one bedroom while I wrote my papers and listened to Aesop Rock and Jets to Brazil, planning for a life where I’d be tenured and teaching composition, running a writing center. 

This time, I was trying to pick up my pieces while I helped the wealthiest people in Oakland County pick out bottles of fancy wine and find their vitamins. I hoped I wouldn’t run into one of my graduate school friends, me standing there filling up the Kombucha again before yoga class around the corner wrapped up. I endured verbal abuse from entitled assholes. I helped Geoffrey Fieger buy vitamins and gawked at Barry Sanders. I laughed at the inflated drama of One Percent Problems, but I kind of wished they were mine. I tried not to let it break me. After a few months of Nothing Better, it’s hard not to start telling yourself it would be fine to do this forever, to consider the idea that your goals and aspirations had been undone and may not get back on track. Things being tough all over provides only intermittent comfort.

Work: Sam Moore

01. Writer

Sam Moore


02. Theme

Work


03. MUSIC INSPIRATION

Rozwell Kid:
Kangaroo Pocket


04. WRITING

I rustled my blankets, turned over, and glanced at the clock. 3:52 a.m. A little over two hours before that alarm clock would screech itself into oblivion, waking me up for work. Why is it that my brain can’t shut off when it knows it has to be up early? I need to be up in a few hours, I could hear it say. So now’s as good a time as any to run a mental marathon of every anxious thought I’ve ever had! 
I imagined my brain, all wrinkled and squishy, sneering at me while it told me this. “You bastard,” I said out loud in response to this nonexistent conversation. It’s a vicious cycle: needing sleep, can’t sleep, wake up sleepy, rinse and repeat. Day in and day out. 
What I wouldn’t give to just punt my brain like a damn football. Just walk it into the backyard, square up, and blast that sucker over the fence as far as I could. Watch it fly off and plummet like a doomed rocket back to earth, crash land in the neighbor’s yard. Watch their mutt gnaw on it like a toy. Ha ha. 
Sigh.
I rustle back the other direction and yank the blanket over my head and groan. My leg dangles off the bed in No Man’s Land, unprotected by a cover, exposed in demon territory. That’s how I know I’m tired. Everyone knows you are absolutely fair game to whatever ghouls lurk under the bed if your leg is sticking out. 
Try me, monsters. I’m too tired to care.
Is it possible to be too tired to sleep? I wonder. 
Lately I’ve felt especially tired. The kind of tired that seeps deep into your bones, burrows its way into your head. A heavy, thick, syrupy exhaustion that feels impossible to wade through. I work all day and spend all night in my homemade darkroom, hunched over trays and chemicals and images for hours on end. Photography is just a hobby, but what else is there to do in life except work and have a hobby? It’s nice making some prints and selling, oh, maybe one or two a month if I’m lucky, but I don’t know what else to do with my time or how to stop aimlessly chugging away at a thing I find fulfilling. 
By now I can see splinters of light cutting through the blinders and hear a bird or two chirping outside. Has that much time already passed that we are now passing from middle-of-the-night to beginning-of-the-morning? I rustle more without ever getting comfortable. My fan drones on, but even white noise can’t lull me to sleep. I make a conscious decision not to look at the clock from here on out until my alarm goes off--looking at the time now will only make me realize I have even less time to sleep, causing me to get even more anxious, making it even more difficult to finally pass out.
I’m. Not. Looking.

Five seconds later I am awake and the clock is screaming itself to death and I want to set the entire world on fire. 
I roll over and crumple out of bed like a bag of bones just spilled all over the floor. For a brief moment I consider this predicament: I have, essentially, slipped from one bed (my bed) onto a perfectly fine new bed (the floor). What good fortune! I think. Today I must be destined to sleep more! Who am I to argue with Fate?
Then I realize that if I don’t get up now--right now--I actually will stay put, accidentally doze off again, sleep through the rest of my alarm, miss my shift at work, get written up, then fired, lose my paycheck, and, thus, my room in this apartment. That would mean access to no beds, which is far less than the amount I have access to now (ie two: bed, floor). I could skip showering and give myself an extra ten or so minutes of Floor Time, but ultimately decide against it. 
Fate is cruel. I force myself up from the floor that desperately needs to be vacuumed with the same gusto I imagine the greatest heroes in history have channeled in their darkest moments, right before they turn the tide of battle and claim victory. Then I scratch my ass on the way to the kitchen and eat spoonfuls of peanut butter for breakfast directly out of the jar. 
I stand in front of the mirror wrapped in a towel, holding up my toothbrush in one hand and the tube of off-brand toothpaste (Crust™) in the other. I stare into my own face for the first time in a while and realize I look like shit. Like exhausted shit. No matter. All I have to do is show up at work and mindlessly stock shelves. They don’t pay me to look good.
I begin scrubbing the clumps of peanut butter out of my teeth when I feel a strange sensation in my head. It feels itchy, fuzzy, but not all over. More like a line of itchy fuzziness, straight as an arrow, circling the inside of my skull. For a moment I wonder if I’ve hit the level of caffeine intake that requires coffee first thing in the morning or your head starts to hurt (I’m only drinking a pot a day), but this feels different. I ignore it and continue brushing. 
I am nearly done when the strange feeling sharpens quickly and I immediately recoil. Something feels deeply, deeply wrong--I lean over the sink and stare at myself hard in the mirror and look for any sign of anything. My eyes dart back and forth, an urgent paranoia jutting out of my every cell. Nothing is happening as far as I can tell, but I feel like something is happening and the “not-seeing-but-feeling” feeling is making my skin crawl and I don’t know what to do except stare into my own face and wait.
This is when the top of my head flipped open like a lid and my brain crawled out like a sleeper agent awakening from its cryochamber. 

A burst of vapor puffed out, even made the psssshhhhhhh noise as my head opened up. My brain was now on the sink, staring up at me.
“Whuhhhduhhfuhhh?” I said through a mouth of toothpaste. 
“You can prolly close that,” my brain said, gesturing up. “Don’t want anything wandering in that oughta not be there.” I took note and closed my head. 
“What the fu--
“Save it. You’re gonna be late for work.” My brain hopped down off the sink and started walking away. I realized my brain looked smoother than I imagined as it trotted off. Was it supposed to be that smooth?
“Where are you going?” I asked.
“I don’t know!” it snapped. “I have no idea. I just need a break. I gotta get out of that head of yours. You’re a real mess, you know that?”
“What are you even talking about?”
“All these thoughts you’re having, all day long? I hear them all. And they are dumb. And mean. I’m working overtime just to keep you functioning, man. If I don’t take a break I’m gonna lose my mind.”
If I still had a brain I would ponder the thought of my brain losing its mind, but since I don’t, I didn’t. 
“So that’s it? You’re just...leaving? When will you be back?”
“I dunno,” my brain shrugged. “Haven’t really thought that far ahead. Why do you care?”
“I just feel like I’m supposed to have a brain.”
“Not my problem.” 
My brain lept up and turned the handle on the front door and swung it open. I followed it outside onto the sidewalk. It left tiny blotches of goopy juice on the ground with each step. 
“Wait!” I called out as it made its way onto the street. It turned and looked.
“Aren’t you supposed to be more wrinkly?”
My brain glared at me, then dove into a sewer drain. 

Just like that I was left standing on my apartment porch with a brain no longer in my head. I didn’t know what else to do so I said “shit” to myself and went back to getting ready for work. 
When I went back inside my roommate Jeff was up. He was having a morning beer at the kitchen table with his laptop open. Then again, Jeff operates on strange hours so this could be the equivalent of a night-beer for him. 
“Morning, buddy. Hey, you ok? You look like shit.” Jeff always had a way with words that way, knew just how to cheer a guy up.
“My brain unlatched my head and climbed out and dove into a sewer.”
“Ha! That’s hilarious, man. We all have those days.”
“No, I’m serious. That literally happened. Just now.”
Jeff paused for a moment, then downed his (night?) beer and set the can down on the table with a hollow clunk. His belly peeked out from under his Metallica shirt he’d been wearing for several days straight as he leaned back and sighed heavily.
“Shit.”
“That’s what I said.” 
“I was about to call it a night, but I can’t leave you hanging like this. Lemme see what I can do.” Jeff cracked his knuckles and began furiously typing away. 

To be honest I’m still not sure what Jeff does. He pays his bills each month to my eternal surprise and gratitude, but I couldn’t tell you how. He doesn’t work any sort of 9-5, doesn’t head off anywhere at night. Barely leaves the apartment, or his room for that matter. All I know is he’s good with computers. Maybe he’s a hacker. 
Neither of us had said anything for...how long now? Don’t feel like doing the math. It’s been a while, though. Once Jeff snaps into focus there’s no shaking him, so I sat there and let him do his thing. Cartoons played on the tv while his keyboard clacked away. A couple more cans had accumulated on the table next to him. 
“Hey, you told work you weren’t coming in, right?”
“Yeah, why?”
“What’d you tell them?”
I shrugged. “The truth. Didn’t really have the mental energy to cook up a lie.”
Jeff pushed his glasses up, back into focus after they slid down his nose. “So you just told them your brain hopped out of your head and took off down a sewer drain? How’d they take it?”
“Not great. My supervisor was yelling something like ‘how dumb do you think I am’ or something like that. But as far as I can tell I did the right thing. Most people just lie when they don’t want to come in.”
“Huh, guess you got a point there. Anyway, come take a look at this.”
Jeff spun his laptop around on the table to face us both. It showed a complex graph accompanied by a map with multiple diverting paths. “So I did some digging to figure out where that sewer drain could lead to. I’ve narrowed it down to a few different places, if you wanna try and find it.”

“This is what you’ve been working on this entire time? How’d you even figure all this out?”
“Don’t worry about that,” Jeff said quickly. “Worry about whether you’re gonna find your brain. As you can see, there’s at least a handful of different places that pipe could spit out at. But your brain clearly has a mind of its own, so something tells me it could end up going wherever it pleases once it finds an exit.”
“Yeah, he’s a real bastard,” I said.
Jeff shook his fourth can, listening for any of those last Secret Drops. He swigged them back and added the can to the growing night/morning collection. 
“So,” he began, suddenly serious. “We have some possible leads as to where your brain could be. It won’t be easy, it’ll take a lot of hard work, and there’s no guarantee it’ll pay off. Such is the risk of adventure. But we could track it down, get you back to normal, and save the day. What do you say? Are you up for it?”
I pictured a massive orchestra behind Jeff as he spoke, inspiring music swelling behind his words. I pondered what this could mean for me. Was I up for the call to adventure?
“Honestly, no.”
“Okay, thank God, man,” Jeff said as if he had been holding his breath. “‘Cause, me either. You wanna get high and watch Die Hard instead?”

If this is their idea of Christmas, I gotta be here for New Year’s!” said Argyle on the TV, then walked out of frame. The credits started to roll. It was only nine in the morning but I had already watched Bruce Willis kill ten people. 
“Damn, that movie still rocks.”
“Yeah, man. It rocks a lot. How you feelin’, anyway? Your head okay?”
“Honestly, I feel...kinda great. I’m not at work, I’ve got nothing to do, and no pressure on myself to do anything despite that.”
Jeff got up and put the DVD in for the next Die Hard movie. “I’m real glad to hear it, man. I know I’m not one to talk, but you’ve seemed real cooped up lately. Either working all day at that awful job or tucked away in your darkroom, hunched over your supplies in the dark for hours on end like a damn goblin. Which rocks, don’t get me wrong, but you’ve been neglecting a very important art form lately, if you’ll allow me to say so.”
I cocked my head to the side. “What art form is that?”
“The art of being a lazy piece of shit from time to time. Now that I think about it, I bet that’s why your brain booked it outta here. It’s probably been running on fumes and needs to recharge. When’s the last time you just took a day to do nothing--like what we’re doing now?”
I thought back as far as I could but came up with nothing. “I don’t know,” I said.
“My point exactly. This is just what the doctor ordered, man. Here, let’s watch the next one. It’s basically the same as the first one, but in an airport.”
“Cool,” I said.

By the end of the day we had watched the entire Die Hard franchise. They really go off the rails towards the end. 
It was now dark out. Jeff and I were surrounded by a graveyard of empty beer cans and pizza boxes. There was still no sign of my brain by the end of the day, but I was surprisingly calm about it. 
“So, the third one is better than the second one, but the fourth one is better than the fifth one, and the third one is the second best, but none of them are as good as the original. I’ve watched them all enough to know. I’ve crunched the numbers and these are the official rankings.” Jeff leaned back with his hands behind his head, satisfied with his assessment. 
“I think you’re right, man.” 

A week had passed and I was still brainless. I had started going back to work (turns out it didn’t take much mental effort to stock shelves. I got written up for the first day I called in, but several other people called in the following day and they shifted their anger towards them instead), and spent my downtime playing mindless video games and watching cartoons. There was a part of me that felt guilty about not being “productive” outside of work when I had the time. I could be working on some prints, trying to promote them, if I’m (very) lucky sell a piece or two. But I would be lying if I said this was a nice change of pace. And that pace was “slowing down as much as possible for a while.” Basking in a season of recharge.
It was almost two weeks before my brain came around, appearing on my porch smoking a cigarette. 
“Welcome back,” I said.
It took a long drag and exhaled deeply. “Yep. Just felt like it was time.”
“What were you doing that whole time?”
“Traveling, sight-seeing. Doing a lot of thinking. What about you?” 
Bruce Willis popped in my head, saying swear words.
“Same,” I said.
“Glad to hear it. Look, you and I--we gotta figure out a system that makes this work. You know? Love it or hate it, we’re stuck. And in the past we’ve clashed and exhausted each other and fought and messed things up. So whaddya say? You scratch my ass, I’ll scratch yours. Deal?”
“Deal,” I said and we went inside.

Work: Aaron Burch

01. Writer

Aaron Burch


02. Theme

Work


03. MUSIC INSPIRATION

Toh Kay:
Here's to Life


04. WRITING

Imagine a counter on a pen.
As it counts down on how many words are left in it.
The stories it wrote.
The worlds it crafted.
The lives it changed.

It could've been something as simple as a tool for signatures,
Writing notes and assignments, 
Ensuring that life goes on, mundane things.
The wheels keep turning, maintaining the quiet dignity of
Everyday life, balancing checkbooks, work, and life
On its rolling tip, counting down its usefulness
Before it is discarded and replaced.

Or it could be special, like signing birth certificates,
Marriage licenses, laws and orders,
Ink flowing from the tip like a stream,
That broadens into a river and turns into an ocean,
Carrying and ships and cargo and people
From one side of the world to the other,
Affecting more lives than can be imagined.

The humble pen has many uses
But it also has a life, a story of its own
And holding a new and shiny pen 
Its counter at its peak, ready for use
To make the next thing happen
Next to an old and used one
Battered and worn,
Its cap chewed and counter low,
What stories they could share,
The worlds they will
And have
Changed



Work: Kathryn Gillespie

01. Writer

Kathryn Gillespie


02. Theme

Work


03. MUSIC INSPIRATION

Hozier:
Work Song


04. WRITING

Is this the kind of way 
we are at night when sun sinks
below belt of ground and fractured sunlight
like cherry topping caress of hip below the kind of way we light
our candles fire sparking up the match 
distracted or

is this burning heat 
of passion consumed by promises eating through good judgement
like climbing up the goalpost drunk alighting like are we burning out
between the embers fraying are we heat death beneath our fingers
are we dancing soft in gravel hellstrip sighing chameleons of social disease
cringing to sing who are we working on empty stomachs and full lungs 
and fueled lunges to oblivion of dusk 

and why is it such work for me to feel this sweet 


Work: Christopher Michalik

01. Writer

Christopher Michalik


02. Theme

Work


03. MUSIC INSPIRATION

The Black Keys:
Lo/Hi


04. WRITING

Hustle culture: A lifestyle where career has become such a priority in your life or the environment that you work in that other aspects of being human – such as hobbies, family-time, and self care – often take a back seat.

In every job that I’ve had, coworkers have always described others as “hard workers” or “lazy,” rather than individualized identifiers about their personality, hobbies, or passions. I suppose that makes sense, being that we were at work. It never fails to make me uncomfortable. I want to know about Chloe’s boyfriend troubles, Meagan’s flourishing political career, and Evan’s weird fascination with Limp Bizkit. 

You get low, like a valley

“Sometimes, it feels like I’m the only one who doesn’t want to do what he doesn’t want to do.”

Everybody has a job, nobody likes doing heir job, but we all have to do it anyway to get by. That’s a pretty normal sentiment. So why and how do people allow the accumulation of wealth and material goods to control their entire existence? I’ve never been excited to go to work. Work is simply a means to survive. I think that a lot of people work so that they can live. Food, water, shelter, and clothing are seldom free or even cheap. What I’ve found is that fewer and fewer people are working to live, and more are living to work. Even those with full-time jobs spend what little free time they have in order to run their side hustles and accumulate more wealth. I see little point in working to live if your life consists of nothing but work.

High, like a bird in the sky

“Material needs no longer exist. The challenge is to improve yourself. To enrich yourself. Enjoy it.”

Why do we still work so much? I’m not against effort, labor, or being productive, but I suppose I am against jobs as they are structured under capitalism. Since 1979, worker productivity has improved by 62%, due to advancements in technology and education, while compensation for this work has only improved by about 17%. That’s a 3.5-times difference in growth rate and economists call this the productivity pay gap. Before the 80s, productivity and pay grew together, with workers seeing the benefits from the increase in productivity. Recently, rather than seeing increasing wages or a reduction of working hours, the rise in consumerism resulted in people buying and producing more stuff, and working just as much. People are now more obsessed with the accumulation of things than ever before, when they could be more concerned with personal development, chasing their passions, and seeking enlightenment.

You get low ‘cause you’re angry

The relationship between boss and employee is push/pull, with the employer seeking to squeeze the most work out of someone for the least amount of money, and the worker seeking to do the least amount of work for the best pay. Hustle culture in the US bleeds into people’s social relationships when poor workers are viewed as lazy, low value, and other general negative traits. I’m a poor worker. I place my priorities on things that bring me joy or make me a better person, and I’ve yet to have any jobs that fill those descriptions. If you have had jobs like that, you’re extremely lucky and I’m perpetually envious of you. I want to do my job, get paid, and get on with my life. Because of this combination, the people that I’ve worked with can form a negative opinion about me, sometimes before even getting to know me. I can form a negative opinion about me. It’s obviously not something that I’m proud of. I often have feelings of self-loathing based on societal hard-working, hustle-culture standards and how I am diametrically opposed to them. I have developed severe anxieties about working with or for someone who likes me, terrified that they will no longer see any value in our friendship or they will lose sight of what makes me a worthwhile person. 

Low, High, High, Low

Stop working so much. Experience art. Learn a musical instrument. Read a book. Teach yourself calculus. Introduce yourself to new academic fields. Dive into your friends’ passions. Meditate. 

All things we cannot do while firmly caught in the stranglehold of being a have-not.

Work: Stephen Wisniewski

01. Writer

Stephen Wisniewski


02. Theme

Work


03. MUSIC INSPIRATION

PJ Harvey:
Working For the Man


04. WRITING

I really wanted to write something funny.
Something about the very worst job I’ve ever had, one summer when I worked in an office for a biology professor that I never actually met. He didn’t even interview me – I was hired by a graduate student who worked as his research assistant, and I never saw my “boss,” who was away doing research on diseased fish. I had no real responsibilities beyond listening to PJ Harvey in a basement office, on a campus abandoned by the semester break. Then I suddenly got word that I was being lent out by that professor to spend two weeks on the agricultural north end of campus, squatting inside an empty tank the size of a suburban above-ground swimming pool, scraping dried algae and fish waste from the lining of that tank with a razor blade. It was August, and everything around me smelled like dried algae and fish waste.
If viewed scientifically from above, the concentric circles of my environment were: a swimming pool-sized tank full of dried algae and fish waste; then an aluminum pole barn without fans or air conditioning; then a vast field of cows in various stages of scientific experimentation; then a Midwestern land-grant university campus; then the pleasant, hand-shaped peninsula of Michigan; then the blue marble of Earth; then a vast inky blackness.

I also wanted to write something poignant.
Maybe about the experience of perpetually repairing our deadly, hundred-year-old house, and the ways that it perpetually confounded my desires. Anything I wanted to change would hang on stubbornly by a thread – pieces of trim, cast brass hinges painted over with ancient shellac, stripped screws that seemed entirely made of rust. But when I climbed onto the roof to repair dozens of mortar joints in the chimney, the bricks would come apart in my hands, disintegrating into nothing and staining my gloves red. It so elegantly resisted my work, keeping and letting go exactly what it wanted to.

I wanted to write something political.
Down the street, they’re transforming the site of the Flint Sit Down Strike of 1936-37 into green space. That is to say: nothing. A sign in a field. A nice place to walk, which is fine. They're calling it “Reclaiming Chevy in the Hole.”
I was inspired by all the songs I love that told stories of work that don’t look anything like the Flint Sit Down Strike of 1936-37: Lizzo’s “Werk, Pt. II;” Clipping’s “Work Work;” Dolly’s “9 to 5.”

I also really wanted to write something fictional, that might speak to the human condition.
I’ve had a story in my head for more than twenty years, based on a real thing that still fascinates me: in 1977, two unemployed Polish mechanics decided that they were going to dig up Charlie Chaplin’s body and hold it for ransom. Chaplin had just died and been buried in Switzerland. These two men decided that it would be a brilliant thing to rob his grave, and then demand payment from his family.
And they did it! They went and dug a hole and hauled Charlie Chaplin out of the ground under cover of night, and then demanded money for his return. It turns out that they just put him into another shallower, sloppier hole in the ground, stashed in a nearby field for safe-keeping while they waited on their fortune. They failed spectacularly in their plan, but I’ve often tried to imagine what they were thinking – the sensation of the shovels in their hands; how they must have felt the interior thuds and clatter of Chaplin’s bones against the sides of the coffin as they jostled it between themselves; how desperate they must have been to conceive of such a thing. How they must have hoped to never worry about working another day in their lives. 

But instead, I rolled all of these ideas around in my head to more or less the extent that I've described here: enough to consider some broad contours, but not enough to make anything real out of them. They were all pushed out of my brain as I let my mind race in bed, until I was exhausted enough to fall asleep. I kept my hands busy doing dishes or making coffee. I watched the world burn. I tried to escape myself as I was sick with migraines. I cried a bit. I maybe should have cried more? I wrestled with the knots in my stomach as I unexpectedly found myself getting my first COVID test. I checked to see how long it had been since I’d paid my electric bill, and I tried to play something new on the guitar, something that I hadn’t already played hundreds of times before. I found that the work of living was all I could bring myself to do.

Work: Michelle Lukezic

01. Writer

Michelle Lukezic


02. Theme

Work


03. MUSIC INSPIRATION

Pigface:
Suck


04. WRITING

This blanket is terrible / who the fuck are you

When I was a kid I had this idea that I wanted to create a blanket. I couldn’t knit or crochet. I was ok at macramé; a sort of step-up from creating friendship bracelets. But that experience wasn’t really relevant. What I could do was that over/under/over/under sewing thing.

I remember spending hours picking out the fabric I’d use. Fucking JoAnns. Bane of so many hours of my existence. Anything that requires selection based on aesthetic consideration is undoubtably a thorough endeavor for me. I wanted a solid color for one side of the blanket, and a pattern or something for the other.

And then there was the middle shit. The stuff that is supposed to keep you warm. I had no clue. I picked an option that seemed pretty average; given I really had no way to evaluate it.

I already had a needle.

I just needed that perfect shade of nasty-ass-mauve thread to create some contrast. Something dark enough to hold its own on soft peach solid fabric on the one side; and the busier patterned side on the other.

Cool.

Are you sure this is what you want?
Yes mom.
Ok. Let’s go check-out.

I was exhausted. Decision fatigue for shit that doesn’t actually matter. But somehow profoundly matters.

Wanting to be productive—even though I was not at all feeling it—I started constructing this blanket, sans instructions or a real plan.

Fuck it.
You got this.
How hard is it to make a blanket?
It’s like making a goddamn grilled cheese sandwich.

--——---solid fabric——-—-
.().().inside-warm-shit.().().
-——patterned fabric——-

The three pieces were already cut to their correct sizes by “the slicer” (a name I gave the employee, and not the device that cut it).
Six foot by six foot.

Turns out it’s a lot more complex than my grilled cheese sandwich analogy. But I got the job done. I finished the blanket.

Literally three stacked pieces, with a perimeter of stitching to hopefully keep it all together.

That was a shit-ton of work. Like holy hell. For a piece of shit, this is neither comfy nor warm, blanket.

And here’s the kicker.

That patterned side. It had all the colors I needed. A touch of mauve, a bit of peach, lots of robin egg blue. And the illustration style of the person depicted in it, a seemingly older lady with droopy boobs and a long-wide nose, was just scratchy enough. I thought it was cool, because it illustrated this lady in different environments. At a typewriter. Reading a book. Cleaning house-shit. Telling at a bank. Cooking with a chef hat.

I had completely neglected to see that in this handwritten script, every eight inches or so were the words “I’m a workaholic.”

I’M A WORKAHOLIC?!?!

What the fuck? Really. How did I miss that? Why did I choose this? Why didn’t I notice that stupid fucking saying until AFTER I spent two and a half hours over/under/over/under poking my finger and hating every moment of it.

What a big fucking realization. It’s like the world was trying to tell me something. It smacked me in my goddamn face.

This was the first time I came face-to-face with the idea of what a workaholic is. I asked myself, are you a workaholic?

I’m a workaholic.

I let out a big sigh, left the blanket on the living room floor, hoped it would somehow magically be gone in the morning, and went to bed. Even now, recalling this event and thinking about that blanket makes me so anxious. The world, perhaps, was trying to tell me something. And I got the picture, well really, I didn’t; but I became aware of the picture.

It takes work to detach yourself from the notion of my production value = my value.

I don’t want to be a workaholic. I don’t want to be a workaholic. I don’t want to be a workaholic. I don’t want to be a workaholic. Fucking listen to yourself. I don’t want to be a workaholic. I don’t want to be a workaholic. I don’t want to be a workaholic. Goddamn it. I don’t want to be a workaholic. I don’t want to be a workaholic. I don’t want to be a workaholic. I don’t want to be a workaholic. I don’t want to be a workaholic. Aw man. FUCK that blanket.

Work: John Duffy

01. Writer

John Duffy


02. Theme

Work


03. MUSIC INSPIRATION

Nick Cave & The Bad Seeds:
O’ Children From Abattoir Blues / Lyre of Orpheus


04. WRITING

What Work Is
A Story in Three Days 

You know what work is—if you’re
old enough to read this you know what
work is, although you may not do it.

–From “What Work Is,” Phil Levine

No doubt many readers will not believe the veracity of the author,
but I assure these doubting Thomases that every incident, as such, is true.

–Neal Cassidy, The First Third

I. The Connection

Curtis Brown’s ‘86 Cutlass is parked outside my window. It has a new paint job he calls “bass boat blue,” a metal flake coating that sparkles like nothing I’ve ever seen.  Curtis emerges from the driver’s side door, which floats upward, Lambo-style, toward the sky.  The day has begun. 

Curtis, like all the students here, has a past that no one knows about.  It’s a requirement to go to school here: you waive your rights to any kind of special services, including special ed.  The school you came from likely has an understaffed office, so even attempting to request paperwork on a student's academic history is futile.  We have a phone number and a home address.  Little else. But for a few hours each day, we meet in this cinder block building, and we attempt to talk about reading and writing.

There are no bells, so Ken hits the filing cabinet to get everyone’s attention.  It works. Today’s lesson involves elements of persuasive writing.  If you want to make a convincing argument, I say, you have to put the different components together in a certain way.  Students nod, a coping mechanism.  They’ve mastered this tactic from years of making it through systems that don’t see them or, worse, actively work against their interests.  If I’m being honest, this school is not much different.  But I have this new job and here we are, so let’s get on with it.

Ken smells like weed and raises his hand.  Yes, Ken, what’s up?

I’m not gonna lie, he says.  I just hit Curtis’ blunt and I’m high as hell. The class roars.  He gets his attention.  Ken is obviously high as hell. 

Ken, I ask.  When you go to someone else’s house, and their mom is there, do you reveal that you’re high as hell? 

No, he says with pride.  I ask him to consider this space ours, which means it’s also partially mine. 

I live here, I say.  I spend more time in this room than I do at my own house, which means I think of our space as more of a home than the place I sleep at night.  Out of respect for me and our shared space, I ask, can you take care of your business somewhere else? Ken thinks about this.  He looks to Curtis who looks back at him.  They nod.  Yeah, Mr. D___.  I can do that.  An arrangement.

I’m really good at this job, I think. I’m working. We continue.

Two men in suits appear in the doorway, accompanied by the assistant superintendent of our school district.  I learn that these men are real estate speculators who want to buy the building.  They plan to knock it down, build expensive single-family houses, and sell them for a lot of money.  This is development.  They, too, are at work.

Hey everyone! Don’t mind us! We’re just walking through! Hey, what are you guys learning about? Our assistant superintendent has arrived in a very noticeable business ensemble. She speaks to us, all of us, as though we are young children. This is a test, it seems, and I begin to sweat. The start of a professional career in education hinges on this one moment, and the only person I have to rely on, the only person on my fucking team who can make this shot is high-as-hell Ken Johnson. Don’t do it, Ken. Just say nothing, and she’ll leave. Ken, fucking shut up for the love of Christ.

Ken raises his hand with real enthusiasm and what happens next is unlike anything I’ve ever seen.  We’re learning about persuasive writing, Superintendent C___.  We’re talking about the importance of organizing your thinking to make the greatest impact.  Superintendent C___ is surprised. Not what she was thinking. Seeing an opportunity, Ken continues: We begin with a clear claim and then we arrange our evidence and our analysis.  We explore the implications at the end and then wrap up.  Ken leans back, grins slowly, stoned as fuck.  The class is stunned.  Ken and I lock eyes, his grin is ear to ear.  Superintendent C___ gives a glance to the real estate guys like it means something, and then she looks at me.  Like a parent too busy to care, she says in her most patronizing drawl: Very impressive! I can see that Mr. D___ is doing good work here.  Keep it up everyone!  Then she leaves.

We laugh for a very long time and kids jump out of their seats to high five each other.  I didn’t realize it until it was over, but this moment was some kind of communal action.  Ken, I ask.  How the hell did you pull that off?  Without missing a beat, Ken says: Easy, Mr. D___ I know what’s up.  And when you know what’s up, you do what you have to do. 

This was a big deal, I tell him.  You helped me out.  And then I thought, perhaps, that such help was to such an extent that Ken might not fully realize.  Why did you do that when you could have just told her you were high as hell? I asked.

Ken laughed.  Easy, Mr. D____.  You’re one of us.  You’re one of the brothers.

II. The Raid

The next day began the same way.  Curtis’ car is outside, kids in circles laughing, smoking, telling stories.  People slowly finish up and wander into the building.  Bill, the director of vocational ed whose office is down the hall from my room, comes by with a look on face.  No one can leave the room during the first period, he says.  Especially to go to the bathroom.  Good luck, he says, and walks away. This is the most he has ever said to me.  

Fifteen minutes into the lesson, everyone’s flip phones go off at once. Noticeable unease. What’s up? I ask.  We have a policy about no phones, and now no one seems to care about that, so what’s going on?

Curtis says the police are here. He asks to leave, to go to his car, the blue one.  I say that no one can leave our room until the police leave.  This is not received well.  Everyone’s back on their phones, and another student, Tatyana, who is taller and older than I am, says that she is most definitely leaving.

Tatyana, please.  Just don’t go outside right now, I beg.  I’m begging.  This is part of my job, to beg my students to comply with rules I didn’t create so that I can keep my job.

Emergency, Mr. D___. No choice. I’m going.

I can’t stop you from leaving, I say.  But I’m going to ask that you fucking please not go outside.

We had an agreement.  She knew that she was doing something that could cause me trouble, and I knew that–as a condition of my job–I was obligated to do something that was causing her trouble.  We were in a terrible bind that neither of us asked to be in.  We were beholden to powers beyond our control, powers that required we not have each other’s back.  I moved out of the doorway, and she stepped out.

There were cops in the hallway, of course.  They were armed with guns; nightsticks; mace; and zip-tie cuffs, the kind you see in riot footage.  Two men had German Shepherds (one each) who barked ferociously when they saw Tatyana.  

Like pretty much everyone on Earth, Tatyana was seriously afraid of big dogs.  The moment she saw the dogs barking at her, tightly leashed by a heavily armed police officer ordering her to freeze, she transformed.  Fight or flight.  At the same moment, another student, equally tall and older than Tatyana, came out of the neighboring classroom, also concerned about the situation that was unfolding. 

Seen through the sidelight window of my classroom door, what played out next was like a 1950s rumble.  Caught in the middle of the two barking dogs, the young women saw each other not as allies but as enemies.  For reasons no one entirely understood, the two students elected to fight each other.  The other girl removed from her purse a medium-sized pocket knife and began to lunge toward Tatyana.  Not to be outdone, Tatyana reached into her loose-fitting boot and removed a metal box cutter, switching the blade all the way out and informing her opponent that she was about to face serious and permanent injury.

Utterly confused by what they were witnessing, the police moved to restrain the two students while the dogs were ordered to heel.  The girls struck each other with fists, pulled at each other’s hair, but the blades never made contact, fortunately. The dogs continued barking and ran toward the other girl’s purse.  One officer pulled out a small bag of weed, and by then the students were too tired to continue on with the brawl.  The police cuffed them both and escorted them out to the cars. 

I hadn’t realized that the class had been watching the whole drama play out through the hallway windows just as I had. They were firing off texts on their flip phones with unbelievable speed, making arrangements to be picked up, or to meet up after this wrapped up, or to do whatever else they felt like doing after school.

With nothing else to do in such a surreal moment, I wrote a letter to my future self as we waited for an all clear from our building principal.  Whatever you do and wherever you find yourself during the course of your professional life, I wrote, never ever let it get this fucked up again.  You can always run.  There has to be someplace else where shit like this doesn’t happen.  I signed my name and dated the paper.

After the hallway was fully cleared, everyone else knew they had no chance at making a run for it, so they sat quietly, played games, told stories, and waited for the police to pack up their shit. Any hope of continuing the lesson was lost, so students did their own thing and that was pretty much that.

The cops took significantly more time than anyone thought, so we all continued to wait, listening in the hallway as the dogs’ paws scratched along the linoleum.  Students saw them outside in the grass, too, like robots, sniffing the perimeter of our soon-to-be-sold building while patrol cars drifted by every so often. 

Bill came and knocked on the door.  In a whisper, he said that the raid had been a success, and that I could now let everyone out of my room.  I asked what happened to make it so successful.  And with a strange smile, he said that the two girls who were busted were returning to a juvenile detention center on the other side of town.  He was proud of this.  A student in the neighboring classroom, he said, had stashed a bag of pills and a couple joints in the math teacher’s closet.  When the dogs came in, the students insisted the drugs belonged to their teacher, and after no one fessed up, the principal had to let them all go.  Bill said that he knows who did it, but he’s working out another way to get them. With the most confidence I’d ever seen anyone exhibit, he smiled and simply said We’ll get ‘em.

I went to the front of the room to deliver the update.  What’s the word, Mr. D___? Are we all settled? Asked Ken.

Yeah, Ken.  We’re all good. Everyone can go after I take attendance.  With everything going down, I completely forgot to do that today. 

I sifted through the names and people signaled in their own way.  Halfway down the list and then I got to Curtis.  Where’s Curtis? I asked.  I could have sworn I saw him earlier today.  Ken? What’s up?  No one said a thing.  The window was conspicuously cracked open; Curtis had fled on foot.

III. The Next Day

The day begins like any other.  Curtis’ car is still outside, but a man in a vest is latching a chain to the back end and pulling it onto a flatbed truck.  Definitely impounded.  Ken was eager to tell the class what had happened. 

Curtis’ father had used the car to sell enormous amounts of weed.  The two bricks of weed that were in the trunk when the school day began yesterday had definitely been confiscated by the police.  Ken wasn’t sure if Curtis knew about the weed in the trunk.  Even if he did, Ken said, I sure as fuck wouldn’t tell any of you.  The class laughed again.  More attention for Ken.  We shift gears back to class, and Ken asks about our agenda.

We’re going to continue our work with persuasive writing, everyone.  Let’s take out our materials from a couple days ago and continue working through our drafts.  Back to work, I think.

A knock at the door. It’s Bill.

Hey, Bill. Can this wait? I’m—

With glee, Bill says it cannot wait.  They got him, he says. 

Who? The kid who put the pills in Dean’s closet? I ask.

Your kid, Curtis.  Turns out he escaped from the building when the cops weren’t looking.  He outran everyone.  Sargent P___ called me last night to tell me they were looking for him, on suspicion of all kinds of shit.  Turns out he ran down to that Burger King two blocks away and hid in the dumpster until the middle of the night! Can you believe these kids. My god.  One of the managers called the cops after they found him eating some of the leftover food.  I mean, can you believe that shit?

Damn, Bill. That sucks. Do you think he, like, has enough to eat? 

What? Bill was incredulous.  I scheduled this raid to get this element out of our building.  Thanks to Sargent P____, we know that Curtis was the ringleader. I hope they throw the book at him, frankly.

Wow, well… Thanks, Bill?  I add an upward inflection to make it sound like a question because I’m not sure what to say, and I don’t want to express any level of gratitude for Bill’s actions.  I turn around and see Ken working in a small group.  He’s taken it upon himself to instruct two of his classmates who are struggling to form their thesis statements.  Ken is helping out, and he’s also high as hell. 

I look at the clock and we’re only seven minutes into a 90 minute period.  Bill closes the door, supremely confident.  I look out the window as I hear the beeping of the tow truck, backing into a 3-point turn and getting ready to head toward the impound yard.  It leaves the parking lot and heads down the road. Curtis’ car gets smaller and smaller until it vanishes entirely.

Work: George Lukezic

01. Writer

George Lukezic


02. Theme

Work


03. MUSIC INSPIRATION

KISS:
Rock And Roll All Nite


04. WRITING

My lives begin with work. After living in a space capsule for 9 months I was forced off my life support system and into the world. The moment I took my first breath I had to start working on my human skills of eating, walking, talking and socializing. After 9 years I had mastered these skills and was now ready for a new experience. Now I had to learn about manual labor. Washing dishes, cutting grass, raking leaves and shoveling snow. Theses jobs were done at home for free because my dad told me to do them. Mowing lawns and shoveling snow for the neighbors was the first source of income for me as a kid for a few years. I could earn up to 50 cents per job.

My next job when I was 11 was for $2.00 a day, a Pepsi and a plane Bologna sandwich. I worked in the summer for a man named Bill D who sold fruit and vegetables door to door from a big red truck. He would pick me, my brother and other neighbor kids up at 7 in the morning and we would get home around 8 at night. I walked a lot but made $120 a summer for a couple of years.

My first inside job was working at a drug store for three years while in High School. Now I was making real money. $1.25 an hour and over 25 hours a week. After graduating from High School, I went to college and got an Associate Degree and payed for it by working 2 summers as a laborer on construction for $5.50 an hour.

After college I got a job at a foundry on second shift starting at $3.19 an hour. I worked there for 91 days before I had to leave for 2 years in the Military because of the draft. Since I had 90 days at the foundry before I was drafted, I was able to return to work there. I was lucky to be able to go back even though it was hard work and dirty. I had a total of 24 years there when I was laid off an got a job at an auto assembly plant then a parts plant. During that time, I went back to school and received my Bachelor Degree.

After 2 years at the parts plant, I went on Skill Trades where I worked for 18 years and then another 3 years as a contract worker.

My life began with work but I don’t want to end it with working. You can add up all the years I worked but you or I can say how long I will be around after I quit working. So, this is my farewell letter to work and a Hello to life.

Resentment: Michelle Lukezic

01. Writer

Michelle Lukezic


02. Theme

Resentment


03. MUSIC INSPIRATION

Jojo Mayer & Nerve:
To Listen is to Love


04. WRITING

Bitter indignation. Battery acid smeared on our collective tongues. Tongues (we are told) we must keep behind our masks.

Be better. We have to be better.

Be: the state of being, state of existence; to be.
Better: the state of improvement, progress.

Strive; individually, collectively.
No one (or society) is perfect.
There is room for improvement, progress.

ignorance + anger  
What creates bad actions? ignorance + anger.
What creates ignorance and anger? fear.
What creates fear? perception of possible loss. 
What creates loss? attachment.
What creates attachment? thoughts.

We are intellectuals.
We assign meaning and value.

It’s beautiful.
It’s terrifying.
It’s unifying.
It’s dangerous.

Growing pains.
Evidence.
It will hurt.
It will continue to hurt.
It is supposed to hurt.
 

Our evolutionary predispositions no longer serve us.

biologically.
emotionally.
intellectually.

Fortunately/Unfortunately we aren't going to die from the perpetuating injustices that plague the world. We need personal proactivity; intention, diligence, persistence.

Ask more of yourself.
Demand more of yourself.
Your. Self.

Change now comes from choice.
You get to decide.

This is how we will evolve.

Our protest is a symbol; it is not enough.
Demand more of Your. Self.

Empathy is the instrument.
We are connected.

I have a choice.

Set down the bitter indignation.
Evolve.
Be better.